John Jermien's Blog #2

Dance. Dance-choreographics represents, at one level of conception, a concept and conceptual ideology imbued within and implicit to a personal orientation, life/life-style,---The contemporative orientation to date. Secondly, it represents a creative artistic-aesthetic medium,---a form/formulation/forum, manifestation of the interior-dyspositional symantics involved in motion-movement potential/synergistics, IE. Dance. At this level, the imperative is pre-eminent: Meditation, states of meditative response/reposure, and the interplay between mediational brainmind/ bodymind synergistics, and the integrally invasive mind-set, mind-state application intrisically implied within a qualititative parameter spectrum of the creative artistic aesthetic medium,-mind-set (the centre of concentrated attentive awareness) as determinantly related to mindstate application involved in (1) a vast array of choreographic semblance manifestations, (2) the politics of experiential,-in terms of concept, philosophy, and ideational/thematic dimensionality.

The contemporative orientation demands and dictates a select and selective creative dexterity involved in an intra-fusion of concept ideology and thematic dimensionality, existentially/experientially explicit with computer precise exactitude remaining remarkably intact and cosmologically/chronologically specific evidencing a pattern and a predictable physics of event, aspect, and conceptual ideology: re-trans-juxcta-position. The creative artistic-aestetic matrix continuum is comprised of a projectile labyrinth of activities, disciplines/inter-disciplinary imperatives all designed as integral/integrally inter-faced with a curriculum and agenda (of event/aspect/associative creative productive measure).